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01416_Field_186.cap.txt
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Woolf was one of
the great
innovators in
literature.
Relatively late in
life she found a
voice of her own
and went on to
produce a
peculiarly English
- and feminist -
version of
modernism,
tailoring to her
own personal
concerns the new
ways of seeing
that were
sweeping Europe
#
Woolf's Mrs
Dalloway (1925)
is her most
experimental
novel. It uses
minutely detailed
descriptions of
street life to
transmute the
past experience
of two former
lovers, and
various minor
characters, into
the web of
the present
#
To the Lighthouse
gathers together
the flitting
perceptions of a
party of people
holidaying on the
Scottish coast.
Male-female
relationships are
central to the
book, and the
lighthouse which
towers over all
the characters
has been
interpreted as a
phallic symbol, a
result of Woolf's
study of Freud
#
The Waves used
the "stream of
consciousness"
technique
pioneered by
James Joyce to
reveal in turn the
experience of six
characters. As in
all Woolf's novels,
there is almost no
plot. She is
concerned with
'sensibility', the
shapes and images
which the world
leaves like
shadows or like
footprints on
the mind
#
Woolf has become
a feminist icon,
and her thoughts
on the position of
women in society
are incisive and
entertaining. In A
Room of One's
Own (1929), she
examines the
situation of the
woman writer, and
asserts that,
because women
are absent from
historical accounts,
our knowledge of
the past is
"lop sided"
#
For most of her
characters, as for
Woolf herself, the
world is formless,
fluid: they are all
trying to catch
some meaning.
The modernism of
her work is no
mere literary
experiment. It is
a reflection
of Woolf's
perceptions, a
real attempt to
say more than
could be said
by conventional
methods
#
Woolf's first
breakdown was
in 1906, and they
came regularly
thereafter. In
1941, depressed
about the war
and fearing the
onset of another
bout of mental
illness, Woolf
forced a large
stone into her
pocket and
drowned herself
in the River Ouse,
near her cottage
@